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Timothy Kearns
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Timothy Kearns This duo reminds me of early Sci Fi novels that i started out reading, authors like Stanislaw Lem, Phillip K Dick, Issac Isimov, etc. and early Kraut rock like Ash Ra Temple, Cosmic Jokers, Tangerine Dream, Kraftwerk. Neu! & Agitation Free.makes me feel all warm inside
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  • ARP 339 – USB booklet
    USB Flash Drive + Digital Album

    Limited edition booklet beautifully designed by Andro Giunio, with lyrics and quotes from the writing process, handmade in triple binding with hardcovers printed on silver paper with handmade cardboard USB drive.

    Includes unlimited streaming of ARP 339 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.
Recursion 06:12
From level to level Popping and pushing Eager to shuffle Stacking, recursing
2.
The Wall 05:36
It’s here and it’s there feels like in dreams bad dreams It’s wall and it’s a line idea of boundary is real It’s crucial and it’s big feels like in dreams bad dreams It’s here and it’s there feels like in dreams bad dreams And what is inside what is outside a dream It’s here and it’s there which side you are on it’s a wall It’s total isolation feels like left alone left alone It’s here and it’s there feels like left alone left alone To die to lose the self and rejoin the rest a dream It’s here and it’s there feels like in dreams bad dreams To die to lose the self and rejoin the rest a dream It’s here and it’s there feels like in dreams.
3.
Arp Arp 04:42
4.
Arcologies 06:32
arcologies arcologies, the impossible worlds, telling stories and mythologies re-patching lost cords over techno-landscapes zoomin’ in to nano-circuits, the shapes data takes to dominate the markets sky-scapes are grey like tuned to a dead channel fly-bys hint on dreaming lost dreams of space-travel fiberoptic grid supports jacking-in for greed, while playin’ the drug-field of hormones and speed cyberspace cowboys with shady techno-criminal games information power-toys for ice-breaking digital frames code is survival but body becomes meat there’s passion for freedom, but choice’s a devil’s trick add climate of feardom, and all the world is dick or sick endless data manipulation, nerve splicing, microbionics escape to space station, shapers kickin’ into robotics sky behind the mirrorshades techno is one fragile mask become the supervillain and take the crazy task powerful halucination, crazy stories, flash projection facing the causation, forcing hard self-reflection cyberspace cowboys with shady techno-criminal games information power-toys for ice-breaking digital frames code is survival but body becomes meat
5.
Levitation 05:42
As I walk the street I see people walking, working, talking, smiling, whistling, touching, kissing, reaching, reading, singing, running, stopping I feel faces passing, voices calling, bodies sweating, arms reaching, eyes shining, feet stepping, love melting As I watch from my window I can hear people laughing, shouting, screaming, begging, gossiping, envying, lying, blaming, fear raising Alone or not I smell the fear coming greed rising, teeth grinding, grip tightening, struggle growing, grievous falling Running through the streets I sense the heart beating, fight rising, not trusting, hate growing, bomb falling, gun triggering I fear that empty all exhausted world will stop spinning feet will have no land to step on hand will no more reach another I fear that empty all exhausted world will stop spinning feet will have no land to stand on hand will no more reach another We never really die
6.
Wrappings 04:56
Nothing is to touch anything else all is so carefully packaged Nothing comes as it is all is so carefully packaged In a clean fancy paper, plastic or foil everything comes inside layers of wrappings In abundance of things touches in wrappings all is so carefully packaged Nothing touches anything else overflow crowd of wrappings all is so carefully packaged
7.
Iffy Night 06:00
in the bar band is playing retro dusty, sticky back in time solitary needy people hunting meat bodies radiating heat plans are up in the air iffy, it’s so iffy night ain't sure about that proposition iffy, it's so iffy night she used to be a boy with gymnast body now she's everyone's girl he's a man with conjurers hands she smiles, his eyes well hidden outside the bar, predawn blue sound of retro band and rain bodies quivering, vibrating iffy, it's so iffy night ain't sure about that proposition iffy, it's so iffy night gone, lost, waisted iffy, it's so iffy night click, bang, twist meat puppet - gone up in the air iffy, it's so iffy night he cut, hit, skillfully, abruptly frozen smile, empty her body twisted at his feet palms up, white fingers slightly open she held a paper in her hand white paper – message "i'm not just one of your many toys" iffy, it's so iffy night
8.
tell me what you want tell me what you do tell me what you hear tell me what you see tell me what you feel singing noise lonely lonely lonely singing noise I hear singing in the ears not noise but singing noise keeping myself from crying keeping myself from crying keeping myself from trying lonely lonely singing noise I don’t know I can’t tell I’ve seen you before that way I don’t know I can’t tell I’ve seen you before that way singing noise singing noise singing noise come on now moon, time is precious
9.
Detached 05:48

about

With Escherian devotion to infinity, the electro-punk music charge of Wanda and Nova deViator subtly flows from cool cosmic cyberfuturism to heated dance-floor fever. Drawing on a variety of genre offshoots, Maja Delak and Luka Prinčič use repetition to seamlessly develop the heritage of polyrhythm and deep bass tremors from domestic intimacy into an all-encompassing atmosphere. Their sonic habitat reflects existing social structures with technological precision, throwing a harsh light on flaws without fetishizing criticism. The world they weave from fragments of universality via sizzling electronic impulses and hypnotic vocal expression would likely be described as science fiction three decades ago – but today it is uncomfortable to think how accurately it reflects our own reality.

Building on the foundation established by their praised debut Pacification (Kamizdat, 2013), the diverse artists complement and upgrade the sounds of their upcoming new record with a live performance that reconceptualises their musical hybrid within the framework of intermedia and dance arts. Sensuality meets anger, passion cavorts intellectually with rebellion, yet at the same time, without endangering their own principles, the duo successfully follows the unwritten rule – this kind of music simply has to catch one’s ear willingly, sink in and touch the listener.

credits

released January 22, 2015

written, programmed, performed and recorded: Maja Delak and Luka Prinčič
mix and mastering: Igor Vuk
design: Andro Giunio
usb, booklet and printing: Maruša Hren ‘Maruji’
photo: Nada Žgank
liner notes: Daniel Sheppard

released at Kamizdat

studio and media support: Radio Študent Ljubljana
financially supported by: City Municipality of Ljubljana and Ministry of Culture RS

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Wanda & Nova deViator Slovenia

Wanda & Nova deViator are an electro-funk duo creating bold hybrids through beats, noise, video and performance. The collaboration between an electronic musician and a contemporary dancer performer and choreographer takes influences from breakbeat, trip-hop, dub, idm, electro, noise and other bass genres while with each project researching new sonic and performative stage languages. ... more

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